GUTS PIE EARSHOT

GUTS PIE EARSHOT gehören sicherlich zu den ungewöhnlichsten Bands, die musikalisch im entfernten Sinn etwas mit Punk/Hardcore zu tun haben.

Das, was Guts Pie Earshot - rein instrumental - zelebrieren, spricht. Ohne Worte und Gesang.



Tanzbare Punk- und Dancefloor-Grooves, klassische und orientalische Melodien lassen ganze Universen vor dem geistigem Auge entstehen.
Hardcore, Klassik, Breakbeat, Ambient, Tekno und Folk zerfliessen zum berühmten „Kopfkino“, entführen in Parallelwelten und lösen sich in Geschichtenerzählen und Traumwandeln... Rauschzustand!



Die Emotionalität und die dichte energiegeladene Atmosphäre der Musik stellt abseits von Mainstream und Konformität seit 13 Jahren die gängigen Hörgewohnheiten auf die Probe. Dabei bleiben die beiden Musiker ihren Punk-Wurzeln treu.

Guts Pie Earshot gründete sich 1993 aus der Band "Flowerhouse", damals noch 5-köpfige D.I.Y. / Punk/HC-beeinflusste in der "Szene" erfolgreiche Band mit Cello, Keyboard, Bass, Gesang und Schlagzeug.
Ab 1997 haben nach und nach verschiedene Mitglieder die Band verlassen und wurden nicht ersetzt - u.a. um die Handschrift des mit den Jahren entwickelten Sounds zu erhalten.





LINE-UP:
Duo mit Cello: Rizio , Schlagzeug: Scheng
HERKUNFT: Köln / Münster ( D )
GRÜNDUNGSJAHR: 1993
STIL: Drum'n Cello – Cellopunk. oder: "Punk ohne Gitarre", "Drum?n Bass ohne bass", "Tekno ohne Technik", "Pop
ohne Gesang", "Klassik ohne...."
TONTRÄGER: 8 CDs / LPs – Aktuell: "Chapter Two, Volume One"





Patrick Cybinski:


Musik für Hörspiele:

2004:"Meeresrand" Theatersolo mit Gilla Cremer erschienen bei Hoffmann & Campe
2004:"Die Liebenden" NDR-Hörspielproduktion
2005: "Dracula-Musik einer Blutgruppe", mit Ensemblemitgliedern des Theater Bielefeld, erschienen im Elf Uhr Verlag

Theatermusik am Theater Bielefeld, Landestheater Linz und Thalia Theater Hamburg:

2002: Lessing : "Emilia Galotti" ; P. Marivaux : "Der Streit"
2003: Ror Wolf : "Nachrichten aus der bewohnten Welt" ; T. Fontane : "Effi Briest"
2004: H. Ibsen : "John Gabriel Borkman" ; V. Olmi : "Meeresrand"
2005: A. Tschechov : "Platonov" ; M. Ende: "Jim Knopf und Lukas, der Lokomotivführer"

Jean Jacobi:

Drums bei "Tecbilek", "Ministry of good Vibrations", "Lucy killed the Dragon"; Elektronische Minimalmusik: "Scheng" u.v.m.

GUTS PIE EARSHOT are surely one of the most unusual bands who music-wise vaguely have something to do with punk/ hardcore. Their music is purely instrumental. This instrumentation may appear minimalist, only cello and drums are played, and yet the music conjures up entire new universes in the mind's eye - or ear.

What Guts Pie Earshot is celebrating, simply talks to us - without words and singing.
It creates a unique atmosphere miles away from the structured world of punk, rock, dance-floor or drum 'n' bass. As we know, opposites attract and in the case of this band, they simply implode. Live drum break beats and staccato cello strokes cater for aggressive and tight moments bursting with punk energy and catch the dance floor grooves with its classical, oriental cello melodies.



With their sound they manage to create a whole new tone world oscillating between mourning, melancholy and dreaminess on the one hand, and power, energy, virtuosity and the entire complexity of jazz punk on the other. What emerges is innovative and playful pieces which are yet saturated in beauty - and always a sure seduction to dance.



GUTS PIE EARSHOT are one of the bands who for 13 years now have achieved what only the very few manage: to transfer themselves and their audience into a state of intoxication and, for as long as the song lasts, abduct them into another world.
For more than 13 years now they have been making their own unique way far from the beaten mainstream track and conformity.

Influences from hardcore, classic, breakbeat, jazz, tekno and folk create an hypnotic soundtrack to the famous "in-mind movie".


But both musicians remain true to their punk roots, even meticulous passages never come over as sterile, and the sound still has that somewhat rough charm of a garage band.


It's clear that here the depths of established listening habits are plumbed and put to the test. A band that has broken out of the musical norm to create something completely new, their own thing.




LINE-UP: Duo with Cello: Rizio , Drums: Scheng
ORIGIN: Cologne / Münster ( D )
FOUNDED : 1993
STYLE: Drum 'n' Cello – cellopunk or: "Punk without guitar", "Drum 'n' Bass without bass", "Tekkno without technics", "Pop without singing", "Classic without...." ...
SOUND MEDIA: 8 CDs / LPs – Currently: "Chapter Two, Volume One"




HISTORY of the BAND:


Guts Pie Earshot emerged in 1993 from the band "Flowerhouse", a then 5-man D.I.Y. / Punk/HC-influenced band, successful In the "scene" with cello, keyboards, bass, vocals and drums.

From 1997 various members drifted away from the band and were not replaced - so as not to lose the original signature of the sound that had developed over the years. The line-up now is:


Patrick Cybinski: Cello in various orchestras (e.g. Orchester Bielefeld), theatre music (live and composition) ("Meeresrand", "Dracula", "Lukas der Lokomotivführer"...), "Blutgruppe" etc.


Jean Jacobi: Drums with "Tecbilek", "Ministry of good Vibrations", "Lucy killed the Dragon"; electronic minimal music: "Scheng" etc.